Portrait of Don Luis de Góngora

1622 painting by Diego Velázquez

Don Luis de Góngora
ArtistDiego Velázquez
Year1622
MediumOil on canvas
Dimensions51 cm × 41 cm (20 in × 16 in)
LocationMuseum of Fine Arts, Boston

Portrait of Don Luis de Góngora is a 1622 painting in oils of the poet Luis de Góngora by Diego Velázquez. It is influenced by Caravaggio, especially in its chiaroscuro, and also applies lessons Velazquez had learned in Italy, such as the rich palette as used by Titian. It is now in the Museum of Fine Arts, Boston. The portrait was commissioned with the assistance of Velázquez's teacher, Francisco Pacheco.

There are two other versions of this portrait of uncertain attribution. One is held by the Museo Lázaro Galdiano, Madrid, and the other by the Prado.[1]

Antonio Palomino also affirmed that the portrait had been "highly celebrated by all the courtiers", although he warned that it was painted "in that way of his, which degenerates from the last". Juan de Courbes took it as a model for the print that appears on the frontispiece of José Pellicer's work, Lecciones solemnes a las obra de don Luis de Góngora y Argote, Madrid, 1630. A portrait of Góngora was among Velázquez's possessions at his death (no. 179 of his inventory) and the same or a copy was found in 1677 in the collection of Gaspar de Haro y Guzmán, Marquis del Carpio, acquired with other works by Velázquez from the same collection by Nicolás Nepata in 1692.[2]

See also

References

  1. ^ "Accession no. P01223". Museo Nacional del Prado. Retrieved July 22, 2015.
  2. ^ Palomino de Castro y Velasco, Antonio (1988). El Museo pictórico y escala óptica. Madrid: M. Aguilar. ISBN 84-03-88901-1. OCLC 802896585.
  • Velázquez , exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Portrait of Don Luis de Góngora (see index)

External links

  • "Luis de Góngora y Argote". Museum of Fine Arts, Boston. Retrieved March 20, 2012.
  • v
  • t
  • e
Genre
History
Religious
  • Christ in the House of Martha and Mary (1618)
  • Saint Paul (1618–1620)
  • Adoration of the Magi (1619)
  • Joseph's Tunic (1630)
  • Temptation of St. Thomas (1632)
  • Christ Crucified (1632)
  • Coronation of the Virgin (c. 1641–1644)
Portraits
Equestrian
portraitsJesters
LandscapesPortrayals
Stub icon

This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it.

  • v
  • t
  • e